In late April of 1968, a pc convention in Atlantic Metropolis, N.J., received off to a rocky begin. A strike by phone operators prevented exhibitors from linking their terminals to off-site computer systems, as union-sympathetic employees refused to wire up the required connections. Firms’ shows had been successfully lifeless.
This text is an tailored excerpt from W. Patrick McCray’s README: A Bookish History of Computing From Electronic Brains to Everything Machines (The MIT Press, 2025).MIT Press
However a small cohort of teenage pc fanatics from the Princeton, N.J., space flaunted a intelligent work-around: They borrowed an acoustic coupler—a forerunner of the pc modem—and related it to a close-by pay cellphone. With this {hardware} in place, the children dialed in to an off-site minicomputer.
The youngsters referred to as themselves the RESISTORS, a retronym (they picked the moniker first after which matched phrases to the letters) for “Radically Emphatic College students Focused on Science, Expertise, Or Analysis Research.” The commerce publication Computerworld gave the RESISTORS front-page billing—“College students Steal Present as Convention Opens”—and famous how the group drew a “fascinated crowd” of pc professionals. A reporter even urged that the RESISTORS represented the vanguard of a small-scale social motion as the kids sought to interact with their counterparts from “underprivileged areas of Trenton” and introduce them to non-public computing.
RESISTOR Peter Eichenberger works on a DEC PDP-8 pc, which Claude Kagan satisfied the corporate to donate to the group.Chuck Ehrlich
Within the trendy historical past of computing, a narrative a couple of small cohort of teenagers “enjoying” with computer systems might sound tangential. However the beforehand untold historical past of the RESISTORS highlights the truth that, years earlier than there have been machines referred to as private computer systems, some individuals repeatedly accessed computer systems for actions unrelated to their skilled lives. Motives different, however leisure in addition to the show of technical prowess mattered. Simply as necessary, the story of the RESISTORS expands our sense of the hobbyist neighborhood past later and better-known teams just like the Bay Space’s Homebrew Computer Club.
An early pc membership for teenagers
Fewer than 70 children claimed membership within the RESISTORS over the group’s roughly decade-long existence. Nonetheless, a surprisingly massive variety of them went on to have careers in know-how and science. Two members wrote books about computing that might promote thousands and thousands of copies. One other member cofounded Cisco Systems, which received its begin manufacturing Web routers and different networking {hardware} and is now a multibillion-dollar enterprise. Others grew to become school professors or skilled programmers. And beginning round 1969, the RESISTORS grew to become linked to pc pioneer Ted Nelson (extra on that later).
An engineer named Claude Kagan was the nucleus round which the RESISTORS first organized. Born in 1924 in Orval, France, Kagan moved to the US as a teen, served within the military, and earned an M.S. from Cornell University in 1950. He took a place with Western Electric, the manufacturing arm of AT&T, and in 1958, he moved to Hopewell Township, N.J., a brief drive from Princeton.
Electrical engineer Claude Kagan [second from left] inspired the RESISTORS to study computing, utilizing the massive assortment of used tools saved in his barn. Chuck Ehrlich
Kagan’s specialty was high-level pc languages, resembling Fortran and BASIC, wherein programmers write code that’s largely unbiased of the actual sort of pc. He was additionally an inveterate collector of outdated computer systems and different electronics, which he saved in a big pink barn on his property that was additionally dwelling to some donkeys and malamutes.
Chuck Ehrlich, one of many authentic RESISTORS and later an entrepreneur and enterprise capitalist, recollects that in late 1966, he and a small group of “brainy social outcasts” had been on the lookout for some type of clubhouse. The children weren’t fascinated with smoking pot or social protests, they usually had been disenchanted with the science courses provided at their native colleges. However they had been into electronics.
Kagan knew one of many teenagers’ fathers and provided to let the group use his barn. They quickly found Kagan’s assortment of artifacts, together with a surplus IBM paper tape punch, some analog phone tools, and a Friden Flexowriter (a sort of heavy-duty typewriter that may very well be linked to a pc).

The primary pc the RESISTORS used was a Burroughs Datatron 205 mainframe, which occupied most of two partitions in Kagan’s barn.David Gesswein
However the principle attraction for the kids had been Kagan’s computer systems. Probably the most imposing of those was a Burroughs Datatron 205, a pc first manufactured within the mid-Nineteen Fifties and based mostly on vacuum tubes. The large machine weighed a number of tons, and tales circulated about how Kagan had borrowed a tractor trailer to heroically transport the behemoth from Michigan to New Jersey.
Solely barely much less imposing was an inoperable Packard Bell PB250, a refrigerator-size pc of more moderen classic that the kids managed to get working. Kagan additionally allowed the kids to hook up with his employer’s DEC PDP-8 machine through teletype over cellphone traces so they might run packages written in TRAC (Textual content Reckoning And Compiling). Developed beginning in 1959 by pc scientist Calvin Mooers, TRAC was an environment friendly language amenable to being run on machines that had comparatively little reminiscence. The teenagers had been keen on connecting to the off-site pc and accessing a model of Joseph Weizenbaum’s ELIZA chatbot program.
Having the ability to work with computer systems interactively and in actual time was usually unavailable to nonprofessional pc customers on the time. Kagan ultimately persuaded the Digital Tools Corp. to donate a PDP-8—no trivial present, as new fashions offered for US $15,000 or extra—which the RESISTORS labored with within the barn.
One of many donkeys in Claude Kagan’s barn appears to be like on as RESISTOR Doug Timbie works on some tools.John A. Pietras/The Night Instances; Trenton Free Public Library
The discount Kagan struck with the RESISTORS was uncommon for a number of causes. First, Kagan was homosexual, a undeniable fact that the kids (and their mother and father) had been conscious of however which, by all accounts, bothered nobody. When the Hopewell Valley Jaycee-ettes held a home tour in April 1966, the brochure inspired individuals to go to Kagan’s “distinctive bachelor setting” that he shared with artist George Furnish. Furnish handed away across the time the RESISTORS had been forming, and the grieving Kagan assumed a number of roles for the group: guru, mentor, publicity agent, and landlord. Kagan offered the house, whereas the kids had been liable for sustaining each it and the tools in addition to protecting the price of electrical energy.
Most novice pc golf equipment of the period had been masculine areas, however images of the RESISTORS virtually all the time present a number of younger ladies working at a terminal or fixing a programming drawback. When it got here to deciding whose flip it was to make use of a machine, Jean Hunter—later a professor of organic and environmental engineering at Cornell—likened it to social time-sharing that required “beating individuals over the pinnacle to make them offer you a flip.” John R. Levine, who was a RESISTOR earlier than learning pc science at Yale and later coauthoring the bestseller The Internet for Dummies, recalled, “We had been so nerdy that it didn’t happen to us that women [would] be any completely different when it comes to what they might do.”
There have been additionally efforts to recruit African American teenagers from colleges in Trenton. One among these children, Joseph Tulloch, offered quirky, Dr. Seuss-like illustrations for a programming guide that Kagan and the kids assembled and printed. Tulloch later grew to become a programmer for the state of New Jersey.
New members had been initiated into the group by having an omega signal, the engineer’s image for electrical resistance, drawn on their face with a Magic Marker (these had been youngsters in spite of everything). One of many first issues a brand new member would study was easy methods to use TRAC to put in writing packages. For his half, Kagan held a dim view of conventional studying as practiced in native school rooms. He as a substitute insisted that the RESISTORS study by doing. The group’s pedagogical strategy got here from the African American motto “Every one, train one.” As one member recalled, “If you wish to train somebody easy methods to do one thing, you needed to allow them to sit on the keyboard.”
The RESISTORS’ location within the Princeton space contributed to their success. A number of members had mother and father employed at close by know-how firms, resembling AT&T and RCA. Others, resembling Nat Kuhn, had mother and father who labored at Princeton University. Kuhn’s father was Thomas Kuhn, a historian and writer of The Structure of Scientific Revolutions (1962), the landmark e-book that launched “paradigm shift” into the vernacular.
Twelve-year-old Nat Kuhn was simply 10 when he joined the RESISTORS. “I used to be tremendous geeky,” he later recalled. David Fox
As a child, Nat constructed units from hobbyist electronics kits along with his father, a former physicist. Nat joined the RESISTORS after attending an open home the group sponsored in February 1968 on the Princeton Junior Museum. He was simply 10 years outdated on the time. “I used to be tremendous geeky,” he recalled, “and the pc grew to become my pastime and obsession. You can perceive issues by way of it and make issues occur.”
Quickly after Nat had his face inked with an omega signal, one other individual, a lot older however simply as keen about private computing, began exhibiting up at Claude Kagan’s barn.
Ted Nelson had majored in philosophy at Swarthmore School, graduating in 1959, after which studied sociology on the College of Chicago and later Harvard, the place he took his first pc course. Nelson’s 2010 autobiography features a entire chapter, titled “The Epiphany of Ted Nelson,” about this revelatory expertise. When he realized that the pc, as a substitute of a dreary number-crunching system, “may very well be no matter it was programmed to be,” his “world exploded.”
Ted Nelson met the RESISTORS within the late Sixties, when he was creating his concepts round hypertext and globally interconnected networks for publishing.Ted Nelson
Nelson had a penchant for writing, and so a good greater revelation was that computer systems might deal with textual content by manipulating, storing, printing, and, above all, displaying it on screens. And, if this may very well be performed with textual content, it might in all probability even be performed with photographs and sound. “The way forward for mankind was on the pc display screen,” he determined, because the “interactive pc would change into the office of the long run.”
Equally profound for Nelson was recognizing that when an individual had textual content on a pc display screen, they might use it to assemble parallel, nonsequential textual passages. These phrase assemblages might then be linked to 1 one other or department off in fully new instructions—a farsighted thought for the time.
In 1964, Nelson accepted a educating place at Vassar School, the place his new colleagues invited him to explain how the future of work and creative creativity would occur on pc screens. Within the promotional flyer for the speak, he launched a brand new phrase: hypertext.
A few of the concepts that Ted Nelson mentioned with the RESISTORS later turned up in Nelson’s opus Pc Lib/Dream Machines.Microsoft Press
As Nelson outlined it in a 1965 paper, hypertext meant “a physique of written or pictorial materials interconnected in such a fancy approach that it couldn’t conveniently be introduced or represented on paper.” Nearly any subject might, in precept, be represented on a pc display screen with “hyperlinks” connecting one entry to a different, together with annotation, footnotes, and summaries, whereas additionally together with “each function a novelist or absent-minded professor might need.”
Nelson imagined that his system of data storage, retrieval, and documentation might “develop indefinitely,” containing increasingly more of the world’s data whereas revealing necessary connections between the entire entries.
Nelson quickly stop Vassar and began elevating cash and his skilled profile. His purpose was to design and implement a common textual content dealing with, publishing, and globally related digital library system, which he named Project Xanadu, from Samuel Taylor Coleridge’s “Kubla Khan.” (It’s additionally the title of Charles Foster Kane’s mansion in Orson Welles’s 1941 traditional, Citizen Kane.) Xanadu would flip into Nelson’s lifelong obsession.
A convergence of artwork and computer systems
The catalyst that introduced Nelson along with Claude Kagan and the RESISTORS wasn’t some new pc however an avant-garde artwork present. Within the fall of 1970, a lavish new exhibition titled Software opened on the Jewish Museum in New York Metropolis. Museum director Karl Katz handpicked the influential artwork theorist Jack Burnham to curate the present. Burnham, in flip, was impressed by Norbert Wiener’s cybernetic ideas and needed to discover how conceptual artists would possibly experiment with new computing applied sciences, resembling “real-time computing” and “interactivity,” in a gallery setting. The exhibition gave hundreds of holiday makers a chance to see, and in some circumstances use, minicomputers, teletype tools, high-speed copy machines, and closed-circuit tv.

When the Jewish Museum launched an bold artwork and tech exhibition in 1970, members of the RESISTORS collaborated with artists and offered tech assist. The Jewish Museum
A contributor to the present and its technical adviser, Ted Nelson recruited the RESISTORS to assist him and a few of the artists. As he later wrote in his influential 1974 e-book Computer Lib/Dream Machines, “Some persons are too proud to ask kids for data. That is dumb. Info is the place you discover it.” For Agnes Denes, a Hungarian-born conceptual artist, the kids coded a minicomputer to animate triangles on a display screen for a bit referred to as Trigonal Ballet. For conceptual artist Carl Fernbach-Flarsheim, the kids used the I Ching to program a bit referred to as Conceptual Typewriter. A customer might choose one in all a number of buttons, resembling “the silent” (represented by a circle) or “the offering” (illustrated by sheaves of wheat), after which use a lightweight pen to change the picture. Each artists offered the preliminary concepts, however the RESISTORS executed them.
Nelson, working with programmer Ned Woodman, contributed a bit titled Labyrinth. Operating on a PDP-8 that DEC offered, Labyrinth was defined as “the primary public demonstration of a hypertext system.” To make use of it, a customer would sit at a terminal and start studying the displayed textual content. For the passage “The exhibition you might be attending known as Software program. It was organized by Jack Burnham,” you possibly can use keystrokes (resembling F for ahead) to navigate the textual content and retrieve a definition of “software program” or biographical particulars about Burnham.
Conceptual artist Agnes Denes [right] programmed her piece Trigonal Ballet on the Jewish Museum with assist from RESISTORS [from left] Peter Eichenberger, J Laurence Sarno, and John Levine.The Jewish Museum
For a lot of museumgoers, your entire exhibition urged a technological future the place individuals simply navigated the information-rich realm of what would change into often known as our on-line world.
The RESISTORS, in the meantime, regularly pale all through the Seventies as its members went off to school and the provision of latest recruits dwindled. Nonetheless, members like Nat Kuhn and John Levine recall that concepts they bantered about in bull periods with Nelson in Kagan’s barn materialized later within the pages of Pc Lib/Dream Machines. “There was actually little or no in that e-book that we hadn’t already heard about earlier than it appeared,” Levine stated.
Once I talked with former RESISTORS, it was shocking to listen to what number of members remained in contact with each other greater than a half-century later. Lots of them nonetheless included their participation on résumés. Courtships shaped, and at the least two members married one another. Their actions left a long-lasting echo on this planet of computing as properly. Len Bosack cofounded Cisco Techniques. Cynthia Dwork, a professor of pc science at Harvard, made pioneering contributions to cryptography. Steve Kirsch was one in all two individuals to invent the optical mouse and went on to change into a profitable tech entrepreneur.
Claude Kagan’s computer-filled barn in Hopewell Township, N.J., proven right here in 2008, was the headquarters for the RESISTORS. David Gesswein
Even because the RESISTORS had been fading as a bunch, huge technological adjustments had been simply over the horizon. Private computer systems, launched within the early Seventies, quickly grew to become shopper items present in lots of of hundreds of properties. That technological revolution can be solidified when Time named the PC “Machine of the Year” in 1982. New computing worlds beckoned to consultants and neophytes alike, but it surely was a future {that a} group of teenagers in a New Jersey barn had already seen and lived.
This text is tailored from the writer’s new e-book, README: A Bookish History of Computing from Electronic Brains to Everything Machines (The MIT Press, 2025).
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